Please talk a lil' bit about the general idea/vibe behind your new series of works for 'The Conservatory'?
A conservatory can be a place where people create music and art, as well as a place where people nurture things to grow. I was compelled by the idea of a place for reflection and creation and it was a wonderful, invented setting for creating pieces for this show. Many of the characters are set in interior spaces but still close to the natural world, with doors or windows to the outside, and a few are seen venturing outdoors to collect or observe things to bring back to the conservatory.
"Love Note" / Acrylic on wood panel / 6" in diameter
I remember tracing my hands in preschool to make 'turkeys' for Thanksgiving, making circles and drawing little "wailing beans" (alien beings?) figures with crayons and finger-painting with chocolate pudding. Though, that last one may have been from last week.
I am most productive after 7PM, which means some pretty late nights! It's a tad inconvenient for dealing with the living/morning people so I have been trying to paint in the afternoon as well. It always seems that I get the most absorbed in creating things after the sun goes down.
Please tell us a lil’ something about yourself that someone would never guess in their wildest dreams.
I was a teen wolf. Wait, no. I abhor poorly photoshopped dvd covers. I've been told I do good impressions, but never do them when asked.
Do you listen to music while painting/drawing? If so, do you have a current favorite that inspires?
I do, quite a bit actually! I have had Department of Eagles, Yppah, Grizzly Bear, Quantic, Sigur Rós, Boards of Canada, Jel and Pinback among many others circling through my ears recently.
I would want to watch someone work in a medium I am unfamiliar with. It would be interesting in the respect that I would be watching a talented individual in their creative environment and learn about the process at the same time. Dale Chihuly's glass sculptures and Ron Mueck's giant hyperreal figures come to mind.
My curious mind and love of color!
Putting some finishing touches on the install
It was great to connect with so many artists and to facilitate exposure of their work to a new audience. One of the hardest things about the curating experience was limiting how many artists I asked; I admire so many of them. I wanted to bring them all in, but it would have become unmanageable. I would love to do it again, I learned a lot from 'Infinity Squared'. I have my eyes on lots of different artists I would like to invite as well as some I would have back again.
What have you got coming up in terms of shows after your solo show with us? We are already looking forward to having you back in some high profile group shows next year and for a big follow up in early 2011.
Coming up at the end of July I have the opportunity to show with the talented Jason Limón at Subtext in San Diego. I will have a few pieces for the 'Kokeshi Show' at the Japanese American National Museum and then the 'Crazy for Cult' show at Gallery 1988. Then I have a solo show in October up in Seattle at Halogen Gallery. Busy times, but then I get some time to start gathering new ideas and inspiration for next year and beyond!